Samuel Robertson Trombone Recital Highlights

On the afternoon of October 17, Sam Robertson performed his Senior Trombone recital in partial fulfillment of the requirements for a Bachelor of Arts Degree in Music Education. Sam’s recital showcased his natural talent with the trombone as well as years of dedicated work and practice refining his craft.

Many Maranatha faculty members describe the recital as “very musical” and “outstanding”. Others commented on the musicianship and how Sam and Emma, his accompanist, collaborated remarkably. Overall, a very “skillful” and “stunning” performance.

Sam’s recital was prepared under the preparation of Dr. David Brown. Sam Robertson plans to graduate in May 2026, and is pursuing work as a band and choir teacher in a Christian school as he works to earn his master’s degree in education.

Sonata for Trombone and Piano 
Eric Ewazen
Adagio
Allegro Maestoso

Eric Ewazen’s Sonata for Trombone and Piano is one of the most challenging yet rewarding pieces Sam has ever played. Ewazen, who teaches composition and music theory at The Juilliard School, is known for writing significant modern-era brass music that combines lyrical melodies with rich harmonies. This sonata highlights the expressive capabilities of both the trombone and, as its name suggests, the piano, which plays an equally vital role in the work.

Yesu Christo Mwokosi
Monty Budahl

As a music education major, Sam had the opportunity to conduct an ensemble, and he chose a choir. While considering repertoire, he kept returning to this charming African call-and-response arrangement, “Yesu Christo Mwokosi,” by Dr. Budahl. Dr. Budahl first heard this song sung in a Kenyan church service. After rediscovering it years later, he decided to arrange it for choir. His arrangement seeks to sound like African villagers singing while walking to and from their homes. Sam includes it here as a tribute to one of the greatest influences on his musical career, his grandpa, Dr. Budahl.

What Wondrous Love Is This
Molly Ijames

Die Bankelsangerlieder
Daniel Speer

Die Bankelsängerlieder (translated as “The Song of the Bench Singers”) is a charming brass quintet, likely composed by Daniel Speer during the early Baroque era. The piece features counterpoint, call-and-response, and rhythmic motifs that create a regal and stately character.

Trumpet 1: Rachel Robertson. Trumpet 2: Judah Cochran. French Horn: Jackson Schoonover. Tuba: Kenney Hedrick